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Reinhardt's first ability, Charge, is quite tough to control, but can basically guarantee you a kill when used properly. As the name suggests, this ability propels Reinhardt forward a great distance, but it also allows him to do damage to everyone in his path. What's more, any enemies that you pin up against a wall with charge will receive massive damage, usually resulting in a kill. His other ability, Fire Strike, allows him to launch a flaming projectile in the direction of the reticle for large close-to-medium range damage. Using Charge and Fire Strike in combination with his ultimate, Earthshatter (which stuns all enemies in a straight line) makes for a wonderful opportunity to get multi-kills. Still, you're going to want to choose Reinhardt for his shield and its benefits for objective play over everything else.

Early on in the project, our hero designer Jeff Goodman came to me and we had a couple conversations. During one of them, he said, "Just so you know, there's going to be a flying hero in the game, so just be prepared that people are going to be able to get anywhere on any of your maps." We've tried to keep that possibility open. Even when we were designing Temple of Anubis we knew that we really wanted there to be strong teamwork. In the first part of that map, there's a choke that each team needs to get through, and there are these big gates that are there before you get to the first control point. We very intentionally made it so that every hero has to funnel through that area. Certain heroes can bypass it pretty easily; Tracer can squeak through different areas and Winston can jump over the top if he wants to, but the majority of the team has to go through the front of that thing. We really wanted to force a team to work together to basically crack the nut that's on the other side.

[Aaron Keller] I don't know the exact headcount of the team. It's under one-hundred people, and it probably started closer to thirty or forty people before we ramped up to where we are now. The cool thing about the team is that everyone on it is such a high performer and so great at what they do. We have a core value at Blizzard called "Every Voice Matters," and a lot of people on the team are really passionate and outspoken, not just about [Overwatch] itself, but about things they'd like to see in the game. I think we have a really good collaborative environment where people feel like they can throw ideas out there and they'll be listened to. That's how we get a lot of personality into the game; our heroes have come from all over the place.

Yesterday evening (December 1st, at the time of writing this) was the night of the annual Game Awards show, Recommended Web site a lavish live-streamed spectacle where the best and brightest of the video games industry gathered in Los Angeles - in order to receive awards voted on by industry peers and journalists, celebrating the year in gaming. It was a good night for big-name hits like Uncharted 4: A Thief's End , the reboot of DOOM and Blizzard's mega-selling team shooter **Overwatch ** , as well as respected independent titles like That Dragon Cancer - and it was a chance for those in attendance to show off all-new trailers for upcoming tit

[Hardcore Gamer] Out of curiosity, how many people are working on Overwatch? I'm often shocked when games developed by larger teams manage to maintain any semblance of personality or flair as a result of the sheer number of voices piping it at once.

Blizzard Entertainment shocked the industry back in 2014 when it announced that its next MMO, Titan, was canceled and that they would instead be developing a brand new IP in a genre they had never developed for. That game is Overwatch, a team-based multiplayer-only first-person shooter. Overwatch stands out as not only Blizzard’s first foray into the first-person shooter market, but also as Blizzard’s first brand new IP in over seventeen years. Has Blizzard crafted a masterful entry into the genre, or is this one giant mistake?

When it comes to Black Widow , players can call her a rip-off of Widowmaker, but the truth has always been the opposite. From the spider-themed skintight costume to her skills as an assassin, Widowmaker was a clear homage to Black Widow but with an emphasis on fighting with a sniper ri

It isn’t just the characters that feel unique, it’s also the maps. Overwatch ships with twelve maps, three dedicated to each of the four game modes. All twelve maps are based on real-world locations and match their settings wonderfully. Route 66 is as much a desert as the real world locale, Hanamura is a beautiful Japanese castle, and the Temple of Anubis takes players to the Giza Plateau and its mighty pyramids. These are not only aesthetically pleasing maps, but also very well designed maps.

Zarya's weapon, the Particle Cannon, has two distinct firing modes that both gain additional attack power based off her use of her two defensive abilities. Her main firing mode is a short-range laser that maintains a straight line of fire and consistent output, which is outstanding for doing a great deal of damage to those who get within range. The bad news about this firing mode is that it's completely ineffective once an enemy gets too far, though Zarya's secondary allows her to fire an energy grenade in a fairly shallow arc. Both of her abilities allow her to create damage absorbing energy shields, which then directly increases the power of her Particle Cannon based on the amount of damage absorbed by said shields. The Particle Barrier allows Zarya to protect herself from oncoming fire, and it lasts significantly longer than her Projected Barrier, which can be placed on a nearby ally. Finally, her ultimate, the Gravitron Surge, pulls all nearby enemies into its aura and does a small amount of continuous damage to everyone trapped inside. The best Zarya players charge right into battle, activate their Particle Barrier and then stay behind one other ally, allowing for the simultaneous use of the Projected Barrier.